Welp, I was already pretty far behind on my DS9 recaps anyway, then we went on vacation for a week, and I spent another week catching up on inessential non-DS9 aspects of my life, such as employment. So I’m going to crank this one out to get caught up.

S1E18, “Dramatis Personae” (writer: Joe Menosky)

TOS had multiple episodes where some kind of space madness would take over the ship and the only ones with immunity were Spock, because he wasn’t human, and Kirk, because no space disease could overcome the force of his sheer bold willfulness. Maybe you can’t always have a Kirk around, but you can at least have an insurance non-human aboard. Odo, you got the ball this time, buddy. A telepathic space virus or some damn thing overtakes everyone else, which causes them to lose their minds and start conspiring against each other, going a little feral, or in Sisko’s case, makes him weirdly obsessed with clocks. (It’s played sort of non-seriously but it’s a neat way to portray the emperor losing his sanity.) The non-humanoid Odo is immune and left to sort things out. It should also be noted that Quark, who is ready to turn on anyone at any time, and having never suppressed a primitive urge before, is also unaffected by the virus.

It’s a throwback plot with a throwback effect: which is to say it’s sorta boring. Lacking the usual complex plot DS9 episodes are going for, it’s a gimmick episode for the characters and their interrelationships. Some of their underlying feelings are emerging, e.g., when it comes down to it, Kira thinks she ought to be in charge. And it’s fairly fun but a few weeks later I barely remember how each of them changed.

Note for future reference: we learn that Bashir doesn’t have the first clue how to provide Odo with medical care.

Overall: 2 out of 5. Some fun touches but the setup is a little flimsy and contrived, and mostly I just got sleepy. I’ve seen this before and this time we didn’t even get to see a shirtless Sulu running around with a sword.

S1E19, “Duet” (writer: Peter Allan Fields)

This is the kind of thing that’s hard to rate because it’s decidedly not delightful. “Entertaining” is not the word I would use to describe a grim dissection of the horrific reality of wartime. The episode was indeed great. But it’s also about the aftermath of suffering Bajoran war prisoners and a low-ranking Cardassian military guy’s distress over his inability to do anything about it. Jake and Nog, where are you when we need you.

It’s framed as a mystery about the Cardassian’s real identity and Kira’s interrogation of him the comprises most of the plot. It’s well-done, we’re not at all clear who he really is or what Kira has gotten herself into, and the reveal is satisfyingly meted out as they get closer and closer to the truth. Along the way we learn more about Kira and some additional details about what the Bajorans have gone through under the Cardassian regime. Crack performance by Harris Yulin (a classic That Guy) as the Cardassian.

Overall: 5 out of 5. But I’m not watching it again.

S1E20, “In the Hands of Prophets” (writer: Robert Hewitt Wolfe)

I’m already tired of the battle for political/spiritual leadership among the Bajorans. It combines my disinterest in fictional political intrigue with my disinterest in fictional religious fanaticism. (I find even their nonfictional counterparts extremely pointless, so this is not a template for successfully garnering my interest.) So we’ve got the extreme conservative faction headed by Vedek Winn, who busts into Keiko’s school with some “wormholes are actually spirit temples” nonsense and proves that even in deep space they still have flat-Earthers. Keiko’s not about to knuckle under and drop the science curriculum aboard a bloody space station. [Keiko for President, fwiw.] But the Bajorans on the station get huffy and stop coming to school and work over the dispute, and Sisko tries to head things off by calling on Vedek Bareil–also an influential Bajoran leader, but at least one who has joined the 23rd century. But he’s got political considerations to worry about and can’t take too firm a stand against Winn, and if this ain’t a parable for modern politics I don’t know what is. And it’s just as frustratingly destructive, complete with the fracas erupting into some domestic terrorism.

Overall: 2 out of 5. Not a bad episode, if a little tiresome. But that could just be me, plus an episode about the scourge of regressivism is just really the last thing I want to think even more about these days.

S2E1, “Homecoming” (writers: Jeri Taylor & Ira Steven Behr)

S2E2, “The Circle” (writer: Peter Allan Fields)

S2E3, “The Siege” (writer: Michael Piller)

Ambitious three-parter to kick off season two. Following up the events of “In the Hands of Prophets”, we see that vying Bajoran factions are getting increasingly vocal well beyond the scope of just the station. Without recapping the entire three-episode arc, I can discuss the major players:

• Li Nalas, the extremely reluctant Bajoran folk hero. Circumstances once forced him to fight off several Cardassians but he ended up a prisoner, and Kira (with an assist from O’Brien) rescues. In the meantime the stories about him have grown into legends. It’s hard to pull off a good reluctant hero, too often they basically end up being, well, Harry Potter/Luke Skywalker/Katniss Everdeen/every American saga forever. Li Nalas is a good one, though. He doesn’t morph into a Jedi badass, he just tries to be useful.
• Jaro Essa, Bajoran governmental minister trying to re-establish provisional leadership. He barges in to DS9 and reassigns Kira to Bajor, replacing her with Nalas, which neither of them are happy about. I would describe this character as effectively hateable.
  • This leads to the best scene of the arc, when Kira is packing for her reassignment to Bajor, and all the regulars keep showing up on some flimsy pretext to say goodbye to her. Some good farce here, as pretty soon the entire cast is in her bedroom somehow. And for the first time, she claims some allegiance to them. Awww.
• The Circle, a group of Bajoran extremists whose influence has started to appear on the station in the form of obnoxious graffiti that Odo or someone has to clean up. (I bet he gets Morn to do it for like, next to nothing. Cost of the cheapest swill at Quark’s.)
• Some militant Bajorans, including an extremely wooden and forgettable performance by fellow ’90s TV guy Steven Weber, who I guess just had an off-week over at Wings or something and wandered over to the DS9 set, so they slapped a Bajoran nose on him for a cameo.

Eventually the larger conspiracy that’s agitating the Bajoran rift is unraveled and things go back to normal after some zap-zap phaser battles around the station. Good job everyone.

Overall: 3 out of 5. Lots of Bajoran background and some larger themes covered but the execution is a bit meh. Two tighter episodes instead of three, padded out with zap-zaps and silly bellowing Bajoran Bad Guys, would have been better.

S1E15, “Progress” (writer: Peter Allan Fields)

(A) Somewhere I’m sure there’s a famous Cardassian tale of irony where a man sells all his yamok sauce to pay for the self-sealing stem bolts his wife needs, and unbeknownst to him, and she sold her [whatever the hell self-sealing stem bolts are for] to buy the ingredients to make [some indescribably vile Cardassian dish that goes well with yamok sauce]. It plays out in real time here. Jake and Nog act out this age-old legend, taking it even further and eventually parlaying the initially useless yamok sauce surplus into a profit that makes Quark proud.

I love that the Jake and Nog antics of ep. 14 are trimmed of the needless meta-lesson in international relations, and developed into a full-blown scheme. In literally the next episode. For no ostensible purpose other than laffs and some character building. And that is just fine with me. The show has thus far tended to be rather serious in nature, every single episode seemingly has the fate of an entire race hanging in the balance. So the little bits of comic relief from Jake & Nog or Odo & Quark or a well-timed eye-roll behind Bashir’s back are tremendously effective.

Kristen especially loved the self-sealing stem bolts. She was chuckling continuously at them, they were just the most perfectly useless-seeming thing, and Jake and Nog managed to acquire a whole bloody crate of them. There’s a brilliant turnaround too, when O’Brien gets wind of them, we are lured into thinking, “Oh, an experienced engineer running an entire space station. Certainly he’ll have a use for them, will make them an offer, and it’ll go down as a standard Ferengi profit maneuver.” Instead he has no idea what they are either, kicking things into a higher, stupider gear.

(B) An old Bajoran guy doesn’t want to leave his home, but they are going to turn the moon he lives on into a massive power plant which will render it uninhabitable. Kira visits, in an attempt to convince him to leave, but his simple, contemplative attitude towards life charms her onto his side.

Kira has been such a hardass thus far, this setup is almost too perfect a way to see her caring side. It might have come off as corny, except the old guy is tremendously mellow and likable, and it’s very easy to sympathize with him. Really liked his performance. (I just learned that the actor is the same guy who played the dad in the original Parent Trap. I always like that dad, too!)

Really liked how this part contrasted the all-plot, subtext-free zany-ness of the other story too. There’s not much actually going on here plot-wise, it’s all subtext of the unstoppable force of progress, life sucks and changes and will break your heart, there are dirty jobs and someone’s gotta do ’em, and everyone has deeper complexities and is capable of surprising you.

Morn watch: The legend grows. In an inexplicable bit, Dax mentions to Kira that Morn asked her out (!). I choose to imagine he was all awkward and shy and a total gentleman gentle-whatever-Morn-is. Not like, he was drunk and slobbering and barely coherent and she didn’t have a clue who he was and now can never go back to Quark’s for fear of bumping into him.

Overall: The two stories have nothing to do with each other, but both parts show what DS9 can do well. Recommended. 5 out of 5.

S1E16, “If Wishes Were Horses” (writers: Neil McCue Crawford and William L. Crawford)

OK I wrote a lot about #15 because I liked it. I’m not going to write much about #16 because I didn’t.

• They imagine stuff and it appears because of some space phenomenon. Most of this territory is covered in “Where No One has Gone Before” and “Imaginary Friend” from TNG and Shore Leave from TOS. The lesson is that space really wants to materialize stuff from your imagination. Bashir’s imagined Dax is especially embarrassing. Let’s uh, not go to space actually.
• Only this time, with a creepy Rumplestiltskin (spelled right? who cares). To her credit, Kristen immediately ID’d the actor here with a “that gum you like is back in style.” Maybe it helped that things got a little Twin Peaks around DS9 this week.
• Something mysterious space thing almost obliterates the station but then at the last second it doesn’t something something.
• Apparently the greatest baseball player in history is a short guy with the physique of an egg. Well, Babe Ruth was no looker, either.
• Odo fun fact: he doesn’t have a sense of smell.

Just didn’t do it for me. Mysterious imagined beings jumping in and out of your space and messing up your day has not only been done in Trek but is as irritating for the characters as it is irritating to watch. There’s a minor twist in that they are just assuming these forms to get to know the crew. Maybe more of that story would have been good instead of them just being pests.

Overall: Trek filler. Sorry. 1 out of 5.

S1E17, “The Forsaken” (writer: Jim Trombetta)

This episode also has some Trek filler in the form of: Something the computer didn’t work until we tricked it something something. Whatever, a weird probe visited and infected the computer and eventually O’Brien and Dax develop a workaround. One might call it a hack. Oy the next sys admin is going to be really annoyed. It might also be setup for future plotlines where they really explore what this advanced computer can do. Anyway, I dunno, this framework doesn’t matter much. It’s sort of forgettable and TNG taught us that it’s not that interesting to watch them Geek Squad. Though I did sorta dig the 2001 homage of removing pieces of the computer to break its memory down.

But the emotional core of “The Forsaken” is a different story. Lwaxana Troi makes an appearance and latches onto Odo, whose comfort level with her attentions make Picard’s sorry ruses to evade her seem dignified. The writers Fate traps Troi and Odo together in a turbolift during the hairiest part of O’Brien’s epic computer fiddling-about 1337 haxx0ring, and it goes on for so long that Odo starts desperately needing some rejuvenation bucket time.

Lwaxana episodes can wear a bit thin, but I liked this part quite a lot. After she exhausts her ample initial idle chatter reserves and we get some truly amazing pained Odo expressions (which is something for his featureless void of a face), they eventually get into some deeper conversations. For all her flaws, Troi is capable of some tremendous warmth and empathy–well, she is a betazoid–and she even loosens up the overstarched Odo. We get a little of his background and learn that he hates parties because everyone just expects him to do shapeshifter tricks. Eventually the emotional climax of the episode comes around when Odo reaches his breaking point and has to give up his shape, and Troi is there for him to pool in a fold in her dress rather than randomly puddle on the floor, which actually probably would be pretty dangerous for him. It’s weird. But it’s effective.

Overall: The Odo & Troi stuff was memorable. 3 out of 5.

Three more this season so I’ll break it up here.

OK, back to the usual more lengthy recaps. Also: your regular reminder that these are not spoiler-free discussions of 25-year-old television shows.

S1E11, “The Nagus” (writer: David Livingston)

A low-stakes, highly enjoyable pure character-building episode, and a good break from the recent string of rehashed Trek Standards. There’s a hint of a plot but it’s mostly about establishing some Ferengi stuff and developing a few relationships. As such, I’ll discuss in terms of characters rather than story:

• Grand Nagus Zek – In a bit of inspired casting, played by Wallace Shawn. The Grand Nagus is the economic, and therefore political, leader of the Ferengi. As such, he is their shrewdest, greediest, surliest, and feistiest. Naturally, Quark idolizes him.
• Quark & Rom – Usually Quark gets to be the Alpha Ferengi around the station, lording over the hapless Rom. But with the Nagus around, Quark has to fall in line, appeasing the Nagus in any way he demands.
  • The Ferengi are basically played for laughs in the Trek universe and it 100% works. They maintain a snarling facade, but saddled with a short stature and troll-like ugliness, they hardly seem dangerous. More like a neighborhood chihuahua yapping violently at passers-by from the safety of its sturdily-fenced backyard fortress. Their unrestrained avarice and selfishness makes them single-minded in their pursuit of petty schemes, but in practice it’s usually the other way around, in that they are easily lured into traps under the haziest promise of a sweet deal.
  • Since we usually only see Quark and Rom, we haven’t gotten much of a sense of the crushingly patriarchal and rigidly ranked greater Ferengi society we see in “The Nagus”. If Zek decides he wants to buy Quark’s bar, even on the slightest pretext of scent of a potential profit-generator, Quark just has to let him have it at whatever pittance Zek allows. Worse, Quark isn’t permitted to sit at the table with the Ferengi bigwigs, and spends most of the episode lamenting his sorry position, rather than stewing in his usual boastful confidence.
  • On the flip side, when Zek controversially names the low-status Quark his successor (beautifully reasoned: “I’m just not as greedy as I used to be”), Quark’s naturally inflated ego is instantly back, and we enjoy some fantastic scenes of Quark awash in his own importance.
  • Have we ever seen a Ferengi woman? Not on DS9 as yet. Maybe on TNG but I don’t remember specifics, though I have the impression that Ferengi males esteem women somewhere below household replicators. Seems ripe ground to cover as the series progresses.
• Jake & Nog – Nog’s bad influence continues to corrupt the characteristically responsible Jake. Nog can’t deal with the boring structure of a human school and mostly just wants to loiter around the promenade and hatch schemes. I can imagine that young Ferengi tend to educate themselves not through formal means (other than memorizing the Rules of Acquisition) but through numerous failed teenage hustles until they grow shrewd enough to get a foothold in some fledgling entrepreneurship. Basically they’re a race of C-minus MBAs. Interesting to see Nog’s awkward maturation in contrast to the high-level Ferengi maneuvering taking place above him.
• Good Sisko & Jake bits squeezed in. So far I’m really impressed with how the show builds in some plot-related character moments, it’s a worthy heir to TNG.
• and, not to be forgotten: Morn! We are starting to love that there is a mute barfly at Quark’s appearing in one scene every single episode. Why is he even there? He must work on DS9 but spends all his leisure time at Quark’s. I’m not sure if I’d be happier to know that one particular person plays Morn, or that there is a “Morn of the Week” and a different person gets to don the Morn suit for each episode. Today, it’s the set electrician. Next week, it’s the caterer. I’m also not looking up anything about Morn in Memory Alpha, I really do not want spoilers in case he takes a turn for the relevant.

Overall: Peak DS9. 5 out of 5.

S1E12, “Vortex” (writer: Sam Rolfe)

In the early going, Quark has cruised into position as the most fun character, but Odo is probably the most interesting. The other regulars have a clear motivation and background, but Odo has been established as a mystery. He’s never met another shapeshifter and has no idea where he comes from. He sleeps in a bucket and can transform into anything, on sight, instantly and seamlessly. Since this essentially makes him a superhero–it’s basically invisibility without the need to be naked all the time*–he could probably do anything in the universe, but instead is the security officer on a distant space outpost, transmogrifying into drinking glasses or wallpaper or whatever else it takes to mete out justice. So, one might assume that whatever greater life mission he’s on, he is absolutely dedicated to fairness and adherence to the law.

* I also started wondering–and maybe this was established and I missed it–whether Odo is wearing clothes. I don’t see how he can be. Whenever he transformed he’d sort of slip out of them, right? So that means the clothes are part of his humanoid illusion…and he *is* naked all the time. It seems like you really can’t get around this inherent invisibility problem. So, dude is walking around naked all the time. Maybe that’s why they don’t want to get into it on the show.

So Odo gets tangled up in an interplanetary feud when Croden, a guy who appears to be quietly getting trashed at Quark’s bar, interferes in Quark’s transparent fencing operation with a pair of Miradorn twins. Croden is bad at being a thief but good at accidentally killing people, so he ends up botching the robbery and shooting one of the twins. He’s also really good at lying, so even though Quark isn’t, Odo can’t really get anywhere in his investigation, even though Quark probably put him up to the theft in the first place. Croden’s smooth talking about knowing stuff about shapeshifters also starts to influence Odo, aided by a tantalizing pendant made of an organic transforming material. Odo, being entirely made of organic transforming material, can’t help but be intrigued, but also is getting this information from a con artist murderer in a jail cell so like, there could be more reliable sources. Odo also has bigger problems than Quark’s endless petty crimes, as Croden’s homeworld is already after him and wants him back, and the Miradorn is ready to revenge-murder him at the first opportunity. Odo has to sneak Croden off DS9 to take him home, which sets up a longer opportunity for Croden to keep working on Odo, and it’s eventually revealed that, even though Croden doesn’t actually know anything about the shapeshifter race, he has some noble motivations. He even somehow emerges as a sympathetic figure and Odo is put in a tight situation trying to figure out how to deal with him.

In the end, this ends up being a terrific, complex episode, as long as you maybe don’t dig too deeply into what Odo actually decides. The show was conceived as something like an old west-style remote setting, and here’s a natural extension of that, where a sort of semi-lawless moral frontier justice prevails over coded, enforceable law. So Odo, as an officer of the law, who will mention such at any opportunity, and who is, I remind you, giving up being a badass invisible superhero to perform this task, just lets Croden go despite his extensive criminal history and recent murder. Well, to be fair, the murder was more or less in self-defense and that Miradorn guy was a criminal and a jerk.

Endnotes:

• Speaking of the Miradorns, interesting concept of a race of twins. What would be the implications of one dying? I guess if was your symbiotic twin, you’d be as mad as that guy was. I wonder if we’ll see more Miradorns later in the series.
• The Chamra Vortex felt like an homage back to Kirk et al escaping into the Mutara Nebula in Wrath of Khan. Lots of convenient nebulae in space to evade pursuit, it seems.

Overall: DS9 is bringing it early and often so far, with some deep, complex plots and characters. 5 out of 5.

S1E13, “Battle Lines” (writer: Hilary J. Bader)

Let’s say you are an important commander of a deep space starbase, maintaining a position of significant importance near a newly discovered wormhole that leads to an entirely different part of the galaxy. And, being in a very important place, and being a very important person, other important people may show up from time to time for important business (important SPACE BUSINESS). They might ask to see some local attractions. You might indulge them. Should you, in this situation, venture with the important visitor through the wormhole to the far side of the galaxy, rendering yourself immediately untethered to your station, in potentially hostile space, and incommunicado?

Well if you are Commander Sisko, yes you do.

And also:

• Not just any important visitor, Kai Opaka, the spiritual leader of the Bajoran people, who own the very station in which you are in charge.
• Who has never even left Bajor before. Her appearance is literally unprecedented.
• In a runabout, the spaceship equivalent of a golf cart.
• And then they investigate a mysterious subspace signal. Instead of, say, making a note of it.
• And then they promptly get shot down.
• And find themselves in an fantastically dangerous nonstop war.

I just–listen, this wasn’t a great plan.

Of course the DS9 crew eventually track them down and everything gets straightened out. In Sisko’s defense he was perhaps being manipulated a bit by Opaka, who had a persistent eerie feeling that she was going…somewhere…to do…something. She was right! She also obeyed an important TV rule, which is, if you have a really weird feeling about things, tell no one and just let stuff happen and hope it will work out OK.

Endnotes:

• Intriguing SF idea about the endless, regenerative war. It’d be horrifying if it this wasn’t a TV-PG universe. Despite ongoing commentary about the hopeless, endless terror, recovering from each grim death appears to be about as unpleasant as rousing oneself out of a recliner. It could have been “I Have No Mouth and I Must Scream” nightmare territory.
• Reverse the polarity! O’Brien invents a differential magnanometer to foil some deadly probes.
• This is the second leader of an entire race on DS9 in three episodes. Maybe Odo should go ahead and allow for the one additional Federation guy to help out with security.

Overall: Some fun ideas here but a lot of plot holes, leaning on some tropes, and some needless technobabble. 2 out of 5.

S1E14, “The Storyteller” (writer: Kurt Michael Bensmiller)

Episodes 14 and 15 (I’ll get to the latter next post) both go with a clear A & B story format, and in both cases the B story is Jake and Nog hatching ridiculous schemes. K and I were both delighted by this development.

The A story in “The Storyteller” has another new and fun character thing: we learn that O’Brien is super annoyed by the over-chatty Bashir. For his part, Sisko is establishing a pattern of pushing his charges’ limits, in that he smirkingly makes O’Brien go on a mission with Bashir anyway. Even though we’ve also established that O’Brien is the only guy who can fix anything on DS9. Maybe nothing will break this time? Anyway perhaps Sisko is being a clever manager of people, knowing they just need some time to bond. Or perhaps he is an obnoxious boss abusing his power and demonstrating his ignorance of the value of his charges.

“The Storyteller” is a nephew of a the familiar “Trek Visits a Village” setup (“The Apple” comes to mind first, but both TOS and TNG have loads of variations on this) where they are drawn into a local crisis and need to weasel their way out. In this case, O’Brien mysteriously and quite unwillingly gains the favor of the village elder, called the Sirah, who appoints O’Brien the new Sirah as he is dying. The Sirah’s job is to tell a really good story that unites the village and wards off a monster…that turns out to be an angry cloud. O’Brien would mostly rather go back to DS9 to be with his family and fix replicators, and as he’s trying to figure out how to make that happen one of the villagers tries to murder him. It turns out the would-be murderer is the rightful successor to the old Sirah, but lost favor with the village after it turned out he was really bad at being a Sirah and everyone hates him. Well, this is the same as O’Brien, but this guy wants to fight angry clouds at least, and at least ostensibly knows how. Naturally the thoroughly unqualified O’Brien fails pitifully at Sirahmanship, and the new guy is forced to take over, but with renewed vigor and focus, and brings the village together to repel the angry cloud monster. Bashir sees the subtext: that the old Sirah knew exactly what would happen, and in making the new guy fight for the position and focus, he’d move past his previous failures. Also O’Brien and Bashir share a fun bonding moment when they both almost died.

While all this is going down on Bajor, back on DS9 Sisko is arbitrating a land dispute between two Bajoran factions. One of the factions is represented by Varis, a teenage girl, assuming leadership responsibilities after her father was killed. Like O’Brien, she is obviously not at all qualified to fulfill her expectations, though for some reason has been sent anyway, with no advisors or staff at all (?), and is immediately in over her head. However, as ostensibly the only teenage girl on DS9, Jake and Nog latch on to her, and with her negotiations failing, it isn’t long before she’s loitering around the promenade with them being all moody and teen-agery. But they actually manage to steer her in the right direction by relating their fathers’ wisdom, which for Jake is various nuggets from Sisko, and for Rom is mostly Ferengi Rules of Acquisition, because what don’t they know?

Ultimately this episode is a mini leadership and management academy lesson. Sisko and the old Sirah both push their people a bit beyond their comfort zones, being confident that they’ll succeed and grow. Well, it worked out that way, anyway–if you ignore the attempted murder and near-death by cloud monster. (There’s an alternate universe where both misread the situation and Bashir and O’Brien can’t effectively work together while the new Sirah actually really is lousy at his job and the village is destroyed. Then Sisko has to explain to Starfleet Command why he sent his Chief Engineer to his doom merely to score a managerial win.) Meanwhile the Bajor faction that stubbornly stuck with the flaws of its hereditary leadership culture, like an organization mired in routine, breaks out of its rut when Varis brings in some helpful outside consultants and things work out.

Endnotes:

• Honestly this whole setup in the village with the predictable but inscrutable and incredibly dangerous cloud monster was pretty unsatisfying and arbitrary to me. Why hasn’t the village ever reported this phenomenon to Bajoran authorities? Maybe you’ve learned to live with it, but dang, at least mention it to Starfleet when you ask them to send you some medical help.
  • Village: “Help! We need a Doctor!”
  • Starfleet: “OK, help is on the way! Any other specialized personnel needed? Anything we should know about your village?”
  • Village: “Hmmm… nope, can’t think of anything. Thanks! See you soon!”
• How can the tricorder not pick up a single thing about the monster? Not that we should believe tricorders are capable of analyzing literally all known and unknown universal phenomena, but that’s *even more reason to get some help with it*.
• O’Brien’s lousy attempt at being the Sirah is actually pretty funny. Everyone in the village is just so baffled and horrified at his sorry performance. Poor O’Brien is going to have flashbacks to this every time he’s asked to give a toast.
• Love the bit where Varis asks Jake and Nog if their fathers are good with advice. Jake: “Yes!” Nog, son of the hapless Rom: “Uh, no.”
• Odo’s only role in this episode is to repeatedly chase loitering teens off the promenade. He appears to enjoy it.
• It’s of dubious value to the plot, but Nog’s killer prank on Jake is the best moment of the episode. They break into Odo’s office, and Nog makes like he’s going to steal Odo’s sleeping bucket, but instead hurls some disgusting glop out of it onto Jake. Jake and Varis think it’s the sleeping, inert form of Odo, which is now splattered all over his office. But it’s just gross oatmeal.

Overall: A lot going on here and a bit contrived if you look at it too closely but it all ties together in an interesting way, and lots of good character stuff. 4 out of 5.