Rudolph the Red-Nosed Reindeer

Probably the quintessential Christmas classic.  Rankin/Bass hitting on all cylinders here: memorable characters, songs, animation, a moral, and a story that actually makes some sense in the end.  If you watch it objectively it truly is weird, but it’s agreeably weird.  The difference between this and some of the other Rankin/Bass specials that aren’t good is subtle.  It seems like their strategy was to have a kind of silly adventure story where a strange character eventually finds acceptance and redemption.  They throw a lot of crazy ideas and situations in the protagonist’s way, and sometimes it’s fun and sometimes it’s just odd.  I think the difference between when it works and when it doesn’t is simple: humor and good characters.  Rudolph’s friends are:

  • Hermie the Elf, who doesn’t want to make toys but wants to be a dentist (further: they meet when Rudolph sits on a snowbank that Hermie is apparently just hanging out in)
  • Yukon Cornelius, a prospector with a sled team comprised of random dog breeds like poodles and dachsunds, and who determines if there are valuable minerals around by licking his pickaxe, and who never actually finds any minerals (he is apparently outwitted by a squirrel for the only gold nugget shown)
  • A bunch of misfit toys like a Charlie in the Box.

Somehow it’s all funny and amusing.  Some other Rankin/Bass entries like Nestor The Long-Eared Christmas Donkey aren’t funny.  Rankin/Bass are actually quite funny but not so effective at drama.  I mean, it’s not like we didn’t know how things would turn out for Rudolph.  So it’s that factor, or it’s just whatever you see as a kid you will like and everything else is bad.  Overall: you don’t need me to tell you this is one of the best Christmas specials ever.

Jack Frost

Compare another Rankin/Bass entry, Jack Frost.  I’d never seen this one, and I never quite bought into it.  Possibly because it’s not funny enough.  Because unlike Rudolph, we don’t know where this is going.  So: Jack Frost is the invisible personification of a magical elf that starts winter, and it turns out he’s part of a whole frosty crew.  There is Father Winter, who is the boss, and Snip the snowflake maker and a host of other laborers who produce winter, ostensibly by hand.  It’s amazingly inefficient and you wonder how winter ever happens.  Anyway, the story revolves around an Eastern European village where a beautiful girl enchants Jack by saying how much she loves winter and Jack Frost, but more the concept than the actual dude.  (Understandable: I have had more than one ex-girlfriend with the same feelings towards me.)  Jack takes this literally and asks Father Winter to make him human so he can meet her.  For some reason Father Winter OKs this provided Jack obtain a wife, a house, a horse, and a bag of gold to make his being human official.  These rules are not explained more but I went along with it.  In the end the story actually comes around in an interesting way.  I liked it, actually.  It didn’t end as I expected and there are some lessons about relationships that make sense.  Though I did have an issue with Father Winter’s powers.  At one point Jack gets trapped and things aren’t looking good.  So, he just bails on the whole human thing and asks Father Winter to let him come back, which is done.  Then a bit later he has a good opportunity to be human again, so Father Winter lets him right back down there with the same conditions as before.  I think this is a classic example of drama having no stakes.  It’s like Jack has a reset button that brings him back to a convenient save point.  Two other thoughts: there is a sort of unnecessary framing story about Pardon-Me Pete, the Groundhog charged with overseeing whether winter comes.  It’s a little tacked on but I liked it anyway.  And: there were a lot of characters in this with goofy voices, namely Jack.  I know goofy voices are fun, but not all animated characters need squeaky goofy voices, please.  Overall: Fun, worth a watch.  Not a classic but worth the time.

Emmet Otter’s Jug-Band Christmas

This is my all-time favorite Christmas special.  It’s got everything: muppets, good songs, humor, a good story.  It’s about Emmet and his Ma, a couple of poor river animals working to get by in the wake of the passing of Pa, still an inspiration to both of them.  Unbeknownst to each other, they both enter a town talent contest in an effort to win some money to buy each other Christmas presents.  Further, they both risk a lot to make it happen, giving up some of their few valuable possessions to make their entry work.  I won’t give away the ending but things work out because they are good souls, in true muppet fashion.  The characters are really memorable, such as The Nightmare, the hard rock band from River Bottom, who steal the show in the talent contest.  I kind of wish they weren’t so awesome because they’re actually total punks.  Hmph.  Typical celebrity attitude, I guess.  I also like the mysterious Pa.  We know only that he died and was a snake oil salesman.  But Emmet and Ma constantly use his example to seize the day.  They clearly miss his presence, although we must wonder if his recklessness is the reason he’s not around anymore.  To be objective, it doesn’t sound like Pa always made altogether great decisions.  Anyway, this special ultimately really works because it creates a completely believable fictional world the animals live in, but it has some of the same problems as ours: the rich, privileged, and uncaring generally get what they want and the poor and humble do not.  But it’s not all sad, it’s funny and there are fantastic songs.  Overall: my favorite Christmas show, and a yearly watch.

Frosty Returns

The best Christmas specials have this irreproducible inspired weirdness, the worst try to simply re-capture this, without the original inspiration and probably without any real budget, and it shows.   Frosty Returns is just such a mess.  There’s not much in common with the original, other than the fact that a few kids befriend a magic snowman.  This time, it’s a lonely girl with only one hopeless nerd for a friend.  That’s about all there is to say about her.  Her relationship to Frosty has little point and is not developed; instead, the story ends up being about how great snow is, and how evil a local inventor is for developing an aerosol spray to get rid of it.  Mostly the show has an environmental health message, that mindlessly spraying chemicals all over snow to get rid of it is ultimately not a good thing.  The townsfolk are convinced of this through a song.  Then Frosty feels his work is done, I guess, because he leaves.  The whole thing is weird.  The inventor’s sole motivation is that he wants to be King.  Which seems an anacronistic yet overly ambitious reward for inventing a helpful spray, but later we find out that he just means King of the Winter Carnival.  Only that’s still weird because how are you going to win Winter Carnival King points as an inventor of a spray that ruins winter?  More baffling is that Frosty apparently just exists now, without the aid of any magic hat.  He wears a hat, but evidently just for fashion because he freely takes it off to gesture with it while dancing, and even gives it away at the end.  Overall: stay far away.

(Note: this is the second special so far involving Mark Mothersbaugh.  He did the music (I liked it).  He made a cameo on Yo Gabba Gabba! to draw stuff in the “Mark’s Magic Pictures” segment.)

A Charlie Brown Christmas

A Charlie Brown Christmas would never get made today.  (Even ignoring the dated things like a lack of diversity and inclusion of an actual Bible passage.)  The animation is choppy and unpolished.  It’s 90% depressing.  There are no celebrity voices or potential hit songs.  And ultimately, it’s a giant rant against commercialism.  On network TV, mind you.  Actually it’s a wonder the thing ever got made, but it did, and it’s totally unique on the Christmas specials landscape.  There’s no Santa or magic or triumphs.  Charlie Brown is feeling blah about the holidays, and eventually he finds a good reason not to.  His peers (can’t really call them his friends, save for Linus) help him get there in the end, but most of the time they’re just making him feel alienated.  Ultimately he just sticks to what makes him happy, like adopting a pathetic dying branch as a Christmas tree, and successfully dodges commercialism until he feels better again.  Overall: a must-watch.  (Do today’s kids still like this? Or is it now just boring and weird?)

It’s a Wonderful Life

Somehow I have become a total sucker for this movie.  I feel no shame over it.  No other film gets me closest to crying.  (I have never actually cried at a movie.  I am a robot.)  The characters and story are just about perfect – it’s funny, touching, well-constructed.  It’s still very modern.  Now, some questions.  I’m not religious at all, so why would I like a movie so much with such an overtly spiritual message, that angels will help you out in times of crisis and prayers are heard?   Another interpretation is that it’s fantasy.  The angels aren’t seen as heavenly beings, they are seen as galaxies talking to each other.  One of these beings, Clarence, appears and the appropriate time and proceeds to bring George to an alternate reality in which he didn’t exist.  It’s more than an illusion: George is really in that place that does not exist on our plane, no one knows him, and the town is entirely transformed.  Clarence has the power to appear and disappear from that reality at will, and when George wants out, he’s returned just as easily.  Clarence proclaims to be an angel from heaven but isn’t that just done for George’s benefit?  George isn’t much inclined to believe even that story, but certainly it’s more plausible to him than a super-galactic being showing up to help him.  I guess these beings are helping George out maybe because they’re universal peace-lovers and fighting against tyranny wherever it lurks, such as in Bedford Falls.  It really doesn’t matter how you look at it, whatever suits you is valid I think.  Overall: interpret it how you want, but it’s an all-time classic.  Unless you think it’s corny.

Though mine is black and has a picture of Artie on the screen.

  1. Signal strength indicator. Shows access to the data network, unless you are moving, indoors, or outside a major metropolitan area of the United States. Also shows access to the phone network, which drops to zero when call is placed.
  2. Volume buttons. Conveniently located except when phone is in use.
  3. Battery indicator. Reads 100% full unless the phone has been used, in which case it turns red and requires recharging.
  4. Voice activator. Placed in a position that will guarantee repeated accidental use. Never used on purpose.
  5. E-mail application that duplicates all of your Gmail messages.
  6. Browser application. Generally crashes immediately upon use.  Occasionally loads 99% of page, then crashes.
  7. Other primary applications. Never used.
  8. Access to all applications. Use to access Blackberry store to search for apps. Abandon search when no suitable apps with better than 2-star user reviews are located.
  9. Button of mystery. Function unknown.
  10. Cancel button. Uses: (1) Press once to end call. (2) Punch hard to cancel crashed applications.  (3) Frantically press repeatedly to cancel voice control [see #4] before anything weird happens.
  11. Scroll wheel.  Occasionally fails to scroll up.  Chance of complete eventual failure: 100%.
  12. Receive call button.  Never used. 🙁
  13. Keyboard. Conveniently designed to press as many keys as possible simultaneously.

A Flintstone Christmas

A standard Christmas special plotline in cartoons is that Santa needs help, so the familiar characters help, and it’s the best Christmas ever.  That’s pretty much what happens here.  Santa sprains his ankle on Fred’s roof, so Fred and Barney are called into action to save Christmas.  Turns out it’s pretty easy to do: the reindeer know where to go, the sleigh is magic, the toy bag is magic.  They have a mishap and accidentally dump all the toys out over China, so they radio Santa (of course his sleigh has a CB, in prehistoric times, as does the Flintstones’ house, apparently) who tells them to just hit the North Pole and get a toy refill.  They drop by and the elves just whip up a whole new batch of toys without complaint so the journey can continue.  Then they wrap up their route by just dumping the toys at the houses for the rest of the night, rather than actually entering the houses and leaving them under the trees, the animators and producers wanting to get this turkey over with as fast as Fred and Barney.  Oops!  They’re late for the work thing where Fred was playing Santa and the boss and wives will be mad!  Warning: extremely dated wives being mad at oafish husbands humor.  Oh, don’t worry, they make it.  I’m getting bored just recapping this.  Overall: really bland and boring and adding nothing to the Christmas specials canon. Skip it.

Olive, the Other Reindeer

Hadn’t seen this one before.  Turned out to be a lot of fun.  The story is about Olive the dog, who hears on the radio that Blitzen is injured and won’t be able to fly, possibly meaning that Santa will have to cancel his trip, unless he can make it with “all of the other reindeer.”  Mishearing this as “Olive the other reindeer,” she undertakes a journey to the North Pole to help out.  She makes a friend–Martini, the somewhat crooked sales-penguin–and an enemy, an evil mailman bent on getting Christmas canceled so he can be relieved of his annual holiday catalog burden.  The show was consistently funny and imaginative.  Really interesting animation.  Lots of great voices: tons of people from Futurama, Michael Stipe as Blitzen.  Overall: a good one that seems underrated, keep an eye out for it.

Yo Gabba Gabba!

If you were to tell me I am too old for a TV show, particularly a holiday special, I would tell you to guess again.  Though once in a while you would be right, and this is one of those times.  I’ve only seen a few episodes of Yo Gabba Gabba! because I am most definitely too old for it.  It’s worth a laugh though, anyway.  For a while.  It gets a little tedious unless you are four and dancing along, I think.  From a 33-year-old eye, it’s just pretty crazy.  Lots of colors and bizarre songs and stories that feel like they were made up on the spot by kids (wait–they probably were).  The holiday special is only sort of a holiday special.  It’s the usual YGG! fare but with some winter and gift-giving stories.  The creatures all apparently like both of these things.  Well, to be clear, the robot didn’t like winter at first, but his friends’ song convinced him it was all good.  Overall: pass.  Unless you are four.

We are watching many holiday specials this year through the magic of Christmas (and Tivo).

A Very Special Family Guy Freakin’ Christmas

I don’t like Family Guy much but I happened to see a bit of this a few years ago and have to admit it’s got some good things going for it.  Namely, the interspersed Kiss Saves Christmas fake Christmas special bits.  Those alone are worth the time spent watching it and navigating the otherwise hit-and-miss humor that is standard Family Guy fare.  Read: the comic timing is amazing but no show is more willing to trade clever for crass.  Overall: just in over the line of being worth the short time investment.

Frosty the Snowman

I haven’t seen this for years, if ever.  Love the corny animation and narration by Jimmy Durante.  It’s really for kids and a fittingly random plot ensues where the kids use a magician’s hat to bring Frosty to life, then the magician wants his hat back and therefore becomes the bad guy.  Most of the events in the show are dictated by Frosty being too warm or his human companions being too cold, and the ultimate lesson is that Frosty can’t be with people or he will die.  But he never really dies, because he’s magic, or Christmas is, I think.  Also there are extended bits with Hocus the rabbit hamming it up.  Overall: Watch it.  Lovable but weird.

Scrooged

Hadn’t seen this one in a while, but still found it really enjoyable.  The corporate humor made more of an impact on me this time around, which just gave it another layer.  It’s really a great update to the classic story, with a good balance of keeping important things from the original but modernizing other parts.  The frequently-running AMC version cuts out a fair number of funny (though nonessential) bits so watch through another medium if possible.  Lots of good cameos.  Overall: still really good.